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    <title>Jazz Guitar Adventures</title>
    <link>http://www.warrensirota.com/Blog/</link>
    <description>Warren's blog of jazz guitar revelations, diversions and dead-ends</description>
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    <copyright>Warren Sirota</copyright>
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      <dc:creator>wsirota@wsdesigns.com (Warren Sirota)</dc:creator>
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        <h3>For 35 years, I've resisted memorizing tunes...
   </h3>
        <p>
      but a few years ago, when I moved to the NY area, I started to show up at jam sessions
      with my Real Book (or Pocket Changes) in hand. I soon learned that this practice is
      looked down upon somewhat in these parts, and I guess there are some good reasons
      for it.
   </p>
        <p>
      First of all, it's great to show up at a jam session, say "what tune do you want to
      play?", and then all jump in without anyone fumbling for books or groping for music
      stands. It makes everyone look more professional, makes the flow go smoothly, etc.
   </p>
        <p>
      But, more importantly, memorizing the tune (a) lets you really learn it and get inside
      it, and (b) learning the melody in particular improves your ear and gives you a readily-available
      musical vocabulary for quotes.
   </p>
        <p>
      So, now that I've started going back to a regular weekly jazz jam session (great Wednesday
      night sessions at the very friendly and comfortable <a href="http://www.cornerstage.com/"><strong>Cornerstage
      Music &amp; Spirits</strong></a> in <strong>Middletown, NY</strong>, led by the
      fabulous bassist <a href="http://www.myspace.com/robertkopec"><strong>Robert Kopec</strong></a> and
      the great house bands he brings. You have to check it out if you're in the area.),
      I've finally bitten the bullet and embarked on a program of memorizing a tune each
      week, both chords and melody. Sometimes I fall short of that goal, but I am making
      steady progress.
   </p>
        <p>
      One of the big issues is <strong>how do you pick the next tune to memorize</strong>?
      Well, first of all, it's a good idea to make a list of all the tunes that you've <em>nearly</em> memorized,
      and work on really getting those down. After that, what I do is to try and identify
      one or two tunes (depending on difficulty) from each week's jam to memorize (I do
      bring my Real Book to play tunes that other people call that aren't yet in my list).
   </p>
        <p>
      Next, <strong>how do you memorize a tune?</strong> This is an extremely important
      and interesting question, with no really simple answers. I'll be covering some aspects
      of it as we go on. But practicing it a lot with Band-In-A-Box (see below) is a great
      place to start.
   </p>
        <h3>Resources
   </h3>
        <p>
      Before I sign off on this entry, let me recommend the one critical piece of software
      for practicing jazz tunes: <strong><a href="http://pgmusic.com/">Band-In-A-Box</a></strong> from
      PG Music. (disclosure: PG Music does distribute some of my own software, so the sales
      of certain BIAB packages yields a small amount of income to my stream, but this recommendation
      has nothing to do with that, and everything to do with the way I practice myself).
      What's really cool about BIAB is that the arrangements are more-than-good-enough for
      practicing, the speed and looping are easily altered, and there's a vast library of
      jazz tunes available for free if you join the <a href="http://tech.groups.yahoo.com/group/Band-in-a-Box-Files/"><strong>Band-In-A-Box
      Files Group over at Yahoo</strong></a></p>
        <p>
      Remember to subscribe to the RSS feed to get more efficient practice tips as they're
      available.
   </p>
        <img width="0" height="0" src="http://www.warrensirota.com/Blog/aggbug.ashx?id=109ce928-3a44-45ae-bcb3-0b764883d474" />
        <br />
        <hr />
   This weblog is sponsored by <a href="http://slowgold.com">The World Wide Woodshed</a>.</body>
      <title>The Persistence of Memory</title>
      <guid>http://www.warrensirota.com/Blog/PermaLink,guid,109ce928-3a44-45ae-bcb3-0b764883d474.aspx</guid>
      <link>http://www.warrensirota.com/Blog/PermaLink,guid,109ce928-3a44-45ae-bcb3-0b764883d474.aspx</link>
      <pubDate>Sun, 03 Dec 2006 17:18:20 GMT</pubDate>
      <description>&lt;h3&gt;For 35 years, I've resisted memorizing tunes...
&lt;/h3&gt;
&lt;p&gt;
   but a few years ago, when I moved to the NY area, I started to show up at jam sessions
   with my Real Book (or Pocket Changes) in hand. I soon learned that this practice is
   looked down upon somewhat in these parts, and I guess there are some good reasons
   for it.
&lt;/p&gt;
&lt;p&gt;
   First of all, it's great to show up at a jam session, say "what tune do you want to
   play?", and then all jump in without anyone fumbling for books or groping for music
   stands. It makes everyone look more professional, makes the flow go smoothly, etc.
&lt;/p&gt;
&lt;p&gt;
   But, more importantly, memorizing the tune (a) lets you really learn it and get inside
   it, and (b) learning the melody in particular improves your ear and gives you a readily-available
   musical vocabulary for quotes.
&lt;/p&gt;
&lt;p&gt;
   So, now that I've started going back to a regular weekly jazz jam session (great Wednesday
   night sessions at the very friendly and comfortable&amp;nbsp;&lt;a href="http://www.cornerstage.com/"&gt;&lt;strong&gt;Cornerstage
   Music &amp;amp; Spirits&lt;/strong&gt;&lt;/a&gt;&amp;nbsp;in &lt;strong&gt;Middletown, NY&lt;/strong&gt;, led by the
   fabulous bassist &lt;a href="http://www.myspace.com/robertkopec"&gt;&lt;strong&gt;Robert Kopec&lt;/strong&gt;&lt;/a&gt;&amp;nbsp;and
   the great house bands he brings. You have to check it out if you're in the area.),
   I've finally bitten the bullet and embarked on a program of memorizing a tune each
   week, both chords and melody. Sometimes I fall short of that goal, but I am making
   steady progress.
&lt;/p&gt;
&lt;p&gt;
   One of the big issues is &lt;strong&gt;how do you pick the next tune to memorize&lt;/strong&gt;?
   Well, first of all, it's a good idea to make a list of all the tunes that you've &lt;em&gt;nearly&lt;/em&gt; memorized,
   and work on really getting those down. After that, what I do is to try and identify
   one or two tunes (depending on difficulty) from each week's jam to memorize (I do
   bring my Real Book to play tunes that other people call that aren't yet in my list).
&lt;/p&gt;
&lt;p&gt;
   Next, &lt;strong&gt;how do you memorize a tune?&lt;/strong&gt; This is an extremely important
   and interesting question, with no really simple answers. I'll be covering some aspects
   of it as we go on. But practicing it a lot with Band-In-A-Box (see below) is a great
   place to start.
&lt;/p&gt;
&lt;h3&gt;Resources
&lt;/h3&gt;
&lt;p&gt;
   Before I sign off on this entry, let me recommend the one critical piece of software
   for practicing jazz tunes: &lt;strong&gt;&lt;a href="http://pgmusic.com/"&gt;Band-In-A-Box&lt;/a&gt;&lt;/strong&gt; from
   PG Music. (disclosure: PG Music does distribute some of my own software, so the sales
   of certain BIAB packages yields a small amount of income to my stream, but this recommendation
   has nothing to do with that, and everything to do with the way I practice myself).
   What's really cool about BIAB is that the arrangements are more-than-good-enough for
   practicing, the speed and looping are easily altered, and there's a vast library of
   jazz tunes available for free if you join the &lt;a href="http://tech.groups.yahoo.com/group/Band-in-a-Box-Files/"&gt;&lt;strong&gt;Band-In-A-Box
   Files Group over at Yahoo&lt;/strong&gt;&lt;/a&gt;
&lt;/p&gt;
&lt;p&gt;
   Remember to subscribe to the RSS feed to get more efficient practice tips as they're
   available.
&lt;/p&gt;
&lt;img width="0" height="0" src="http://www.warrensirota.com/Blog/aggbug.ashx?id=109ce928-3a44-45ae-bcb3-0b764883d474" /&gt;
&lt;br /&gt;
&lt;hr /&gt;
This weblog is sponsored by &lt;a href="http://slowgold.com"&gt;The World Wide Woodshed&lt;/a&gt;.</description>
      <comments>http://www.warrensirota.com/Blog/CommentView,guid,109ce928-3a44-45ae-bcb3-0b764883d474.aspx</comments>
      <category>Improvising;Jazz Guitar;Music Practice</category>
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